Download A Soviet Credo: Shostakovich's Fourth Symphony by Pauline Fairclough PDF

By Pauline Fairclough

Composed in 1935-36 and meant to be his creative 'credo', Shostakovich's Fourth Symphony was once no longer played publicly till 1961. the following, Dr Pauline Fairclough tackles head-on the most major and least understood of Shostakovich's significant works. She argues that the Fourth Symphony was once extensively diversified from its Soviet contemporaries by way of its constitution, dramaturgy, tone or even language, and as a result challenged the norms of Soviet symphonism at a very important degree of its improvement. With the backing of favorite musicologists resembling Ivan Sollertinsky, the composer may well realistically have anticipated the foremost to have taken position, and will also have meant the symphony to be a version for a brand new form of 'democratic' Soviet symphonism. Fairclough meticulously examines the rating to notify a dialogue of tonal and thematic techniques, allusion, paraphrase and connection with musical varieties, or intonations. Such research is determined deeply within the context of Soviet musical tradition through the interval 1932-36, concerning Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. a brand new approach to research can be complicated right here, the place quite a number Soviet and Western analytical tools are expert via the theoretical paintings of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, including Theodor Adorno's past due learn of Mahler. during this manner, the publication will considerably elevate an realizing of the symphony and its context.

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